With the news breaking of a 'Rocky' spin-off movie with Apollo Creed's grandson being announced. I had to make a poster for it.
Sylvester Stallone has signed on for it. The acting-directing team of the new acclaimed film,"Fruitvale Station" is behind it, so I'm pretty optimistic. Although, my poster is not gritty at all.
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It's been 40 years since the Dragon has left this Earth, and yet, his influence lives on in more ways than you may realize. I fear that Bruce's legacy may only be the 'stereotype' that spawned from imitators trying to copy his success, but the real man was a philosopher and genuinely tried to change the world for the better. He was proud of his Chinese heritage and though he emphasized teaching people about it, his message was universal and can be applied to just about anyone and anything. Below, is a great tribute video to the man, the myth, the legend. This post is more for the movie geeks of technical aspects, or for those who are genuinely curious about the history of movies. We don't think about aspect ratio as in depth as people used to because everything is adapting to widescreen. The most people ever notice are either having black bars on their television screen or not because of how wide the directors of certain movies wanted their screen. However, there is a whole history behind this simple concept, because going to the movies used to be a sense of wonder and excitement. It was almost like virtual reality at the time and filmmakers tried to think of different ways to enhance the audience's enjoyment at the theater. They try to immerse the people as best they can so it's almost like going to an amusement park. When movies dominated the media, then threatened by the invention of the television, filmmakers and theater houses tried different tactics and gimmicks to keep audiences interested in going to the movies. After all, why go to the movies when you can watch shows at home? The different aspect ratios and IMAX-type technology was brought in to shake things up and give excitement to audiences again. But enough from me, check out the video below! This is dedicated to the sequels who are too good to have linear numeric value. This list isn't simply a "worst sequel title" list where an entry would be "Breakin' 2: Electric Boogaloo." We aren't looking for the worst sequel subtitle like "Jaws: The Revenge" or "Friday the 13th: Jason Takes Manhattan." And something like the James Bond series doesn't apply because they are not direct sequels. There are established movie franchises that use their base name (i.e. Twilight, Pirates of the Caribbean, Harry Potter, Indiana Jones) and simply add on a 'chapter' title for the movie. Here, I'm talking about a series of sequel titles in a franchise that keep changing the rules of the titles within the series. Let's say it's several years in the future and generations of new are curious to watch a franchise. They wanna watch 'Back to the Future.' No problem. Part I, Part II, Part III. The 'Rocky' movies? Sure thing! I, II, III, IV, V, Balboa. Things start to get a little complicated with that one, but it's not hard to decipher. Then, we get into the franchises that are mind-bogglingly random and twisted, future generations who haven't heard too much of these franchises might not know what order to watch them in without doing a little research first! Well, I present my top 5 strangest franchise sequel titles! 5. Final Destination franchiseThis isn't the worst, which is why it's only number 5. But they had to mess it all up with the fourth movie entitled "THE Final Destination" as opposed to "Final Destination 4." It was understandable at the time, because they wanted it to be the last and FINAL one, so it is "THE FINAL Destination" which isn't that good to begin with because some people may already refer to the first one as that. And do you think general movie-going audiences will know the difference? But then, they came out with another one AFTER that! So it's no longer THE FINAL one! Now the franchise goes like this: Final Destination Final Destination 2 Final Destination 3(D) The Final Destination Final Destination 5 4. alien franchiseThis series started as a horror franchise. Then the sequel turned it into an all-out action movie. So, the subtle change was weird, but understandable. There are more than one Alien in the second movie, so it's not just Alien 2. But the third movie brought it back to one Alien. What to call it now? The only solution is to give it a numerical value. It's the third movie, so "Alien 3." Now this is the only one with a number, because the fourth one, for whatever reason, went with the moniker,"Alien Resurrection." It may have multiple meanings, but this time there are more than one alien again. So, now the franchise goes: Alien Aliens Alien 3 Alien Resurrection 3. Die Hard FranchiseI've addressed these titles before in my 'Die Hard Retrospective' but here they are again. This is a special case where the series started out clear cut, but the director of the first movie wanted to make the third movie a true sequel to the first one and so he didn't want to acknowledge it being the actual third movie in the franchise, so they gave it a phrased title. And the sequels just followed suit in weird ways. Now they're puns on sayings. So, now the franchise goes: Die Hard Die Hard 2 Die Hard with a Vengeance Live Free or Die Hard A Good Day to Die Hard 2. Fast and Furious FranchiseThis series is just a mess. They didn't know what they were doing when naming the first sequel, so the next installments had no rules to follow and just called themselves whatever they wanted. The worst offender is the fourth movie. It is practically the title of the first movie without the word "The" and using an ampersand for the word "And." It's the fourth movie and it bares a title way too close to the original. I've actually overheard people at a video store get confused on which movie they were talking about; the first or the fourth one. Then came "Fast Five." I liked it because I'm not a fan of the series and the movie broke out of the mold, so it's almost like a reboot title while acknowledging it's place. Then, the sixth movie came out and all the promotional material say "Fast & Furious 6", which is all well and good until the movie itself showcases the title as simply "Furious 6." I like it. It is a nice companion title to 'Fast Five.' But now, we have a franchise that goes like this: The Fast and the Furious 2 Fast 2 Furious The Fast and the Furious: Tokyo Drift Fast & Furious Fast Five Furious 6 1. Rambo FranchiseIt's pretty bad when you refer to the series as the "Rambo" series when the only one with the title "Rambo" is the fourth movie. This series just went through a complete title transition, but remains confusing. The original movie is just "First Blood." It features the character, John Rambo. The sequel demotes "First Blood" to a subtitle. The third movie just doesn't give a shit. They know what movie series this is. It's Rambo's series. But it's the third movie, so just call it "Rambo III." But in a shocking move, the fourth movie comes out and is just named "Rambo." Just "Rambo." So, now, when you talk about the movie "Rambo", you can be referring to any of these movies. The other day, I mentioned the fourth movie "Rambo" to my friend to which he responded,"The first one?" So, now we have a franchise that goes like this: First Blood Rambo: First Blood Part II Rambo III Rambo For an '80s kid, seeing the two names in the above banner would've made his head explode! Stallone brought Schwarzenegger along for a few scenes in the Expendables movies, but here, they are full fledged partners working together and even having a fight! This is something that's been in the making for about 30 years! The trailer itself left a little to be desired. It wasn't as balls-to-the-wall as I was hoping and the "pay off" action part of the trailer was a little tame. Maybe they're saving the good stuff for the movie. Maybe it's actually more of a thriller than an action movie. That would make more sense since these guys aren't in peak physical condition anymore. But this looks to be interesting that Stallone nor Schwarzenegger aren't playing the usual hero archetypes that they're famous for. Here's hoping the banter doesn't try too hard to be funny. But for now, the trailer can be viewed below. Hopefully, a second one will be released that will rightfully pump me up for this movie. Source: http://joblo.com This week, I have had the great opportunity of not only co-hosting a podcast show, but I also had the pleasure of interviewing one of my favorite television dads, William Russ. William Russ is best known for his role as Alan Matthews, Cory Matthews' father on "Boy Meets World." He is also a great character actor with great roles in the controversial "American History X" and "Aspen Extreme" with Peter Berg which has been described as 'Top Gun on the ski slopes.' With the news of a sequel to the beloved family sitcom, "Girl Meets World" about Cory and Topanga's own family, we try to get some inside scoop about his involvement, we ask about his experience on the original show and how it's affected him and how he got his start. Interviewing Mr. Russ was an amazing experience! He was a class act all the way, gave some great insight and was nice enough to give a friend of mine a shout out! Listen to the podcast below! LIVE FREE OR DIE HARD Hey gang, E.J.’s back with the “Die Hard” retrospective and today, I’ll be talking about the fourth movie in the franchise, “Live Free or Die Hard.” Let me start off by saying that I never would imagine a new “Die Hard” movie would be made after the first three. A “Die Hard 4” was in the works for years, but nothing came about it and I never took the news seriously. At one point, it was going to be called “Die Hard 4: Die Hardest” with John McClane and his son kidnapped and dropped in the jungle where they’re forced to fight their way out. The son was even supposed to be played by Ben Affleck! That shows you a sign of the times. This was when Affleck had just done “Armageddon” with Willis, so I guess they formed a friendship. Years later, when I read that it would be about an old school hero like John McClane going up against new school techno-terrorists, I loved it. I actually had a similar idea for a movie, so it would seem like fate that an idea would like that became a “Die Hard” with John McClane smart assing and using streetwise tactics against a technology culture everyone is evolving with. The first thing to note is now, they’re following the third movie’s example of using the title within a phrase which I didn’t see coming. Especially a title like “Live Free or Die Hard.” Although, I like it better than“ Die Hard 4: Die Hardest.” I don’t understand why they couldn’t use the international title “Die Hard 4.0.” It’s not a conventional title and it relates to the movie’s techno theme. This one was based on an earlier script which was a techno-thriller called “WorldWar3.com.” I can’t help but think I would’ve liked this film as a stand alone movie more. But like the others, it was tailored to a John McClane story. Here, John is no longer an alcoholic, but he’s definitely not happy with his life. He’s estranged from his kids and he had divorced from his wife, Holly. They use a device in reference to the first movie where his daughter, Lucy, uses the last name Gennaro instead of McClane to distance herself from her father. What the hell kind of a dad was John McClane?! The terrorists here are a rogue organization that hacks into the government mainframe and begins to shut down important computer run programs that run society. It’s a scary thought. Especially since almost everything these days is digital. The foundation of the terrorists’ codes is written by a select group of hackers that are assassinated in the beginning of the movie. There’s only one left and McClane is called in to bring him to the F.B.I. So, he has this simple task which quickly turns ugly when the bad guys try assassinating the last hacker, Matthew Farrell. They waste no time getting to the action. They get away and the terrorists put their plan into effect. First, they mess with traffic, then they mess with power and utilities before pushing the button to bring us all to a new stone age. It’s a reset of the system. The main villain this time around is Thomas Gabriel played by Timothy Olyphant of “Justified.” I have nothing against this actor, but he was just so bland. A good villain doesn’t have to necessarily be charismatic. I liked Colonel Stuart of the second movie even though he was a stone-faced bad guy archetype, but here, Gabriel barely even emotes. His voice is so monotone; it almost feels like a Keanu Reeves impression. I get he’s supposed to be a bitter and focused individual, but there wasn’t anything threatening about him. In the other movies, they may be villains, but sometimes they’re cool enough for you to root for them in some small way. Here, I couldn’t wait for McClane to rid of them.
So, McClane delivers Matthew to the Feds in Washington D.C. like he was assigned, but when they get attacked, McClane jumps into action to get them out of there. There’s a sequence where a helicopter chases them to a tunnel and the hackers open all the lanes and shut the lights out. This sticks the both of them smack dab in the middle of a colliding nightmare. This is a pretty exciting sequence and I believe the only computer effects used were to merge the actors in with the cars crashing. But it’s just so over the top! The physics are mindboggling! Here, we see John act a little bit more like John McClane. He starts talking to himself. There should have been more of this. This kind of characterization is sorely missed in this movie. Most of the time, John barely smiles. He’s more melancholy. The best thing about the John McClane character is he’s complex without acting complex. He puts on a front and laughs in the face of danger as both a defense mechanism and intimidation. He probably seems the most pissed off in this movie. Later on, when he daughter is kidnapped, he becomes so serious. It’s understandable. But he and his wife were both stuck in a building riddled with villains in the first movie, he still kept the mood light. Maybe it’s a testament to how old he’s getting. Maybe something bad happened to him in between the last movie and this one, but John should not be this serious! The Matthew Farrell character just didn’t track with me. I know he was supposed to be the polar opposite of John, but he came off as baggage. I don’t know why they felt the need to stick John with another sidekick. It worked in the last movie because the chemistry between Samuel L. Jackson and Bruce Willis worked. Here, the generation gap didn’t work in its favor as it could have. I suppose I should address the rating issue. A lot of fans of the series complained about this movie being PG-13. The studio wanted it to reach a larger audience and a lot of teenagers go to the movies these days so they figured they’d market to a wider crowd by making the action more extravagant instead of violent. It’s quite noticeable how much more grand the action set-ups have become. But it would seem, they traded grit for comic book action. There is probably only one big-scale action sequence in each of the original three movies, but here, the action is elevated to such a huge scope. There’s a scene late in the movie where John actually faces off against a fighter jet and destroys an entire highway set-up. McClane manages to escape it as the jet explodes and there’s a shot of the collapsed highway and burning cars. It’s an image that looks like it belongs in an apocalypse movie. The music cue even sounds like a clip of “The Terminator” score. And does John have a funny line in this aftermath? No. No he doesn’t. He just says “woo.” So, Lucy McClane is kidnapped in the end and John has to get her back. They make sure to have Lucy resemble her father, but I think they make her too tough. We lose the severity of the situation. Why should we be frightened of the bad guys if their hostage isn’t? To be honest, I really liked this movie the first time I saw it and even went back for repeated viewings. But it just doesn’t hold up anymore with me. It’s incredibly far removed from the other movies and any suspense that the series had to offer was completely absent in this movie. I can still watch it on occasion and enjoy it on a popcorn movie level, but “Die Hard” should be more than that. TWO STARS OUT OF FOUR. But now, we have a fifth entry coming out. The buzz hasn’t been good due to the people behind the movie and early word is, it’s more of a forgettable action movie. I’m setting my expectations low, but to be honest, I’m pretty excited to see it. I’m just a sucker for John McClane. It’s like meeting up with an old friend. If it’s entertaining like the second movie, I’ll be pretty satisfied. Well, I hope you enjoyed my take on the movies. You may have disagreed with my points and that’s cool. Entertainment is subjective. I just wanted to offer my perspective and give a little history about the series. There’s a reason these movies stick around. It was a game changer and like other game changers, it’s been duplicated so many times. It became almost a subgenre. People describe its clones as “Die Hard on a blank.” There are some entertaining ones though. But no matter how many there are, there’s just no beating the original. DIE HARD WITH A VENGEANCE Welcome, one and all! It’s part 3 of E.J.’s “Die Hard” retrospective and we’ll be taking a look at “Die Hard with a Vengeance.” I was 11 years old and my dad was cool enough to take me to see this in theaters and let me tell you, I loved it from the start and it still holds up to this day! Director John McTiernan returns and it’s just so obvious that he understands what makes a good “Die Hard” movie because he succeeds in telling a different kind of story without losing the charm of the original. I get a genuine feeling he purposely doesn’t acknowledge the second movie and considers this a true first sequel to the first one. Why else wouldn’t it be called “Die Hard 3?” Well, I commented on how I thought at the title “Die Harder” was cheesy, but this was just a head scratcher. Never had I heard a sequel put its title in a sentence or phrase before. But to tell you the truth, it grew on me quickly. There’s just something about the phrase “With a vengeance” that screams, “back for a real sequel.” Well, this movie actually started off as another script named “Simon Says” which was intended to be made into the third Lethal Weapon movie. It’s especially evident by the fact that this installment is more of a buddy comedy. Not to be confused for the movie “Simon Sez” starring Dennis Rodman. For some reason, it became some sort of tradition to make a “Die Hard” movie from a different source material. The first two being books and this one, a different script. This film literally starts off with a bang. The only credits presented are the titles, then we have a small montage of New York City set to Lovin’ Spoonful. Then, boom! A department store blows up! It grabs our attention immediately! The police department is scrambling for damage control when Police Chief Walter Cobb gets a call from the mad bomber “Simon.” There’s a beautiful shot where we pan slowly around his head throughout Simon’s call and the suspense already starts to build! John McClane is once again thrust into a situation he doesn’t want to be in. But in a great twist, this time he’s being held hostage as Simon specifically requested John McClane to start participating in a dangerous game of Simon Says and if he fails the tasks, Simon will detonate another bomb. When we first see John, he’s hung over, he’s become an alcoholic and he’s even on suspension. It’s mentioned that he’s once again separated from his wife, although she doesn’t technically appear this time around. The first task John must carry out is wearing a sandwich board with a message that could get him killed. A humble electrician, Zeus Carver, played by Samuel L. Jackson confronts him and unwittingly gets himself involved in the game. John convinces Zeus to play along and the rest of the movie, they become joined at the hip. It’s a detour to give McClane a direct partner. In the first two movies, he’s usually working alone, but has help from at least one more person. Here, he relies on Zeus on multiple occasions and couldn’t possibly complete all of the tasks without him. What follows is a series of sequences where John and Zeus have to travel around New York City solving riddles and disarming bombs. It’s incredibly fun to watch. It’s just like a video game. It’s not unlike missions in open world games like “Grand Theft Auto” or “Saints Row” where you travel around the city completing tasks or else something bad happens. The riddles were shown in a way to challenge the audience too. I remember rumbling amongst the people in the audience, trying to figure out the answers. The entire New York police force gets involved in containing the terrorist plot since there’s more than just McClane’s end. It’s great to see him not butting heads with authority as much this time around and you really get a sense of unity between the police officers. What’s funny is you get to see John interact with his old cop buddies and being in New York, everybody is a smart ass and bust each other’s balls all the time. It happens a lot without being overkill and you can really see how McClane developed such a sarcastic personality at his home base. Samuel L. Jackson and Bruce Willis’ chemistry is perhaps one of the best buddy-cop relationships ever. They play off of each other so well! Zeus is an “angry black man” character and is overly sensitive to everything McClane says like he’s implying something. Their bickering elevates this entry to be funniest of the series. It was just a blast to watch them argue. I remember the theater crowd going nuts. I don’t know how McTiernan does it, but in his “Die Hard” movies, the dialogue delivery seldom sound like actors giving performances. They’re always incredibly natural. It’s like a Howard Hawkes movie! The “Vengeance” part of the title comes from when McClane finds out that Simon is actually Simon Gruber, Hans Gruber’s brother. It was such a fun twist to find out because it I already loved the movie and it actually had the balls to connect itself with the first one without being cheesy. Simon is played by Jeremy Irons and let me tell you, he gives Alan Rickman a run for his money. He’s just as good and what makes him so charismatic is his confidence. He walks everywhere like he owns the world and makes great quips himself. He’s like an evil James Bond! The great thing is he actually has a personality similar to Hans but has his own personal flare so you believe they WERE brothers instead of being a rehash. The motif of the bad guys in this movie is the song “When Johnny Comes Marching Home Again” just like “Ode to Joy” was in the first one. Whenever I watch this movie, I can’t help but whistle along to this song. Their plot is similar to the first where they pose as terrorists to deviate from their real heist plot, but here, it feels fresh and exciting. Never did it feel forced nor copied. McClane and Zeus run all over New York playing Simon’s game until John finally gets a lead. Then, it becomes a detective story, which is McClane’s thing. The beauty of the first and third movie is he relies on his wits. It shows he’s really got street smarts. When it becomes a detective movie, it finally unleashes McClane on everyone. There are few gunfights in this movie, but when they take place, they really get brutal. There is one particularly over the top scene where John is stuck in a flooding tunnel and he surfs on the truck he was driving, but it doesn’t hurt the movie and I can forgive its silliness. The last third of the movie sees McClane and Zeus climbing aboard a tanker that the terrorists have loaded with their loot. Here, we’re brought into familiar territory as it separates the two protagonists and we have McClane sneaking around another enclosed location trying to find Simon. It’s brief, but a great throwback to the first movie. Bruce Willis can just sell sneaking around and being alert. The ending of the movie is what kind of hurts it. It’s a sequence that seems to pop up out of nowhere and feels a bit tacked on. But this is for good reason, because this was a reshot ending. The original ending, which can be viewed on the DVD set and youtube shows McClane catching up to Simon months later in a German bar. McClane was fired from the NYPD and he’s been driven angry and bitter by Simon’s whole ordeal. There’s practically no action in it. It’s just John and Simon talking. With that and its darker tone, it kind of resembles a Tarantino movie. What happens is John gets out a rocket launcher and institutes his own riddle game, “McClane Says.” This is an interesting ending. I probably prefer the theatrical one more even though it’s a by the numbers action scene. The alternate ending shows McClane being a bit too dark. He’s crazier because he looks so obsessed with killing Simon. In the theatrical ending, it may be a typical action scene, but at least he still has his sanity and John feels more like a cop than a killer here. Overall, this is without a doubt a close second in the whole franchise. Alternate endingTHREE AND HALF STARS OUT OF FOUR. One more review to go, then it’s “A Good Day to Die Hard.” DIE HARD 2 Hey gang, it’s part 2 of the “Die Hard” retrospective, I’m going to be talking about the first sequel in the series, “Die Hard 2.” The first thing that I’ll say is that almost everything I read gives this movie the ridiculous official title “Die Hard 2: Die Harder.” But the only times the movie even uses “Die Harder” is in its promotional material. The movie itself only calls it “Die Hard 2.” It may be nit picky, but “Die Harder” is just so cheesy, I only refer to it as “Die Hard 2.” This one was based off of another novel. Whereas the first movie was based off “Nothing Lasts Forever” by Roderick Thorpe, the plot to this one is taken from the book, “58 Minutes” by Walter Wager, although I have no clue how faithful this adaptation is. “58 Minutes” has absolutely no relation to “The Detective” series. This one becomes more of the type of action movie that the first one differentiated itself from. One of the factors is because the director of the original, John McTiernan declined to return because he felt he would be repeating himself. So, the one to step up to the plate is Renny Harlin, who made the “Die Hard”-type movie “Cliffhanger” and even a film a that cloned the third “Die Hard” movie with wrestler John Cena called “12 Rounds.” Here, I feel Renny Harlin does a serviceable job, but the drop in directing quality is pretty evident. He tries to duplicate the formula, but he tries too hard. In fact, I once read a top ten list of “Die Hard” clones where number 1 was actually “Die Hard 2” which I found pretty amusing. Bruce Willis, his wife played by Bonnie Bedelia, Reginald Vel Johnson, and even William Atherton, who played the blood-thirsty reporter, Richard Thornberg from the first one, reprise their roles. Here, it’s established that McClane is back with his family, now as a cop in LA and he even became somewhat famous after the events of the first movie. He’s at Dulles Airport in Washington D.C. during a snowstorm waiting for his wife to arrive for Christmas vacation. While he waits, a group of mercenaries plan to hijack the airport. How do you hijack an entire airport? Well, you’ll have to watch the movie cause it’s too complicated to explain in this review. In short, they reroute landing power from the airport tower to their own secret base. Their goal is to intercept a plane that’s transporting a Central American drug lord of a country the movie invented. He’s jailed and he’s paying the mercenaries to break him free. So, the mercenaries suspend landing of all flights until the drug lord’s plane lands. This means McClane’s wife remains in the air in danger of losing fuel. McClane catches on from the very beginning when he spots two mercenaries doing some sort of recon work in the baggage area. He tries to alert authorities, but through some weird personal vendetta, he decides to handle it himself. And that’s part of the problem I have with this entry. McClane becomes a little too willing to get in on the action in this one. In the first one, he exhausts all options before getting involved himself. Although he isn’t too gung ho about it. He tries to alert the tower after he gets in a fire fight with the bad guys, but the McClane of the first movie couldn’t wait to step aside for the LA police and here, he goes out of his way to bring down the mercenaries. I understand his wife is on one of the planes, but his wife was held up at gunpoint in the first movie and he didn’t want to be the one to save her! Here, he willingly works by himself. It’s almost like he gets caught up in his own press like they say in the movie. The main villain this time around is Colonel Stuart played by another character actor, William Sadler, whom you may recognize from “The Shawshank Redemption” and who hilariously played the Grim Reaper in “Bill and Ted’s Bogus Journey.” Colonel Stuart is a villain archetype that we see all the time in action movies. He has a cold gaze and stern delivery. He doesn’t have too much charisma, and I can understand that, since he’s more of a military-type character, but with better writing, he could’ve been a lot more memorable. He does have a memorable introduction though. The first we see of Colonel Stuart, he’s doing some sort of Martial Art kata in his hotel room naked. Uh, thanks. Wasn’t expecting that! Although it’s sort of awkward to watch, it does show his character is pretty hardcore in some way. This scene was actually taken and used in a Chinese “Die Hard” clone starring Jet Li! Although, the villain was just in his underwear.
I would go more into the plot, but really, it’s just a rehash of the first one. The whole movie takes place around the airport. Everyone works against John again. I mean, did we really need the reporter, Thornberg, to come back? The characters in this one fall a bit short, but they don’t necessarily hurt the movie either. They really do try duplicate the intelligence of the original, but it’s just far too over the top to be taken as seriously. And here, John’s jokes are even cheesier than the first movie. I think I read somewhere that they let Willis improvise a lot more in this movie and it shows. The suspense, save for maybe a couple scenes, is all gone. It’s a straight up action movie. And they up the ante of the first one. Here, planes explode, the body count is probably the highest in the series and McClane is put into extraordinary situations. There’s a particularly fun scene where McClane is locked in a cockpit of a plane and the mercenaries throw grenades through the windshields. All the grenades take a laughably long time to explode. Enough time for McClane to react, come up with a plan to escape, strap himself into an ejector seat, then eject. I’m not experienced with grenades, but even in the movie world, that took a while. It does showcase some pretty cool special effects though. In another fun, over the top, scene, McClane enters a skywalk shootout from the air ducts from maybe two stories up, drops down and rolls into the middle of gunfire! If you’ve ever played a first-person shooter video game, you know that won’t give you any clear advantage! This whole scene is hilarious, but pretty awesome too. It’s a typical 90’s action scene. It’s all fun though. This movie may have traded its suspense for action, but at least it’s entertaining. This one is more of a guilty pleasure for me. It’s almost like a parody of the first one. John even says to himself, “How can the same thing happen to the same guy twice?” That should tell you everything. It’s more tongue in cheek and even more violent than the first one. John McClane may feel different, but he’s still a charismatic character and it’s a pretty fun story to watch. TWO AND A HALF STARS OUT OF FOUR. One more thing of note, the edited for TV version of this movie is notoriously bad. Coming up, John McTiernan returns as director for the third movie,”Die Hard with a Vengeance.” Stay tuned. |
AuthorE.J. is just a simple man who loves movies. Don't judge. Archives
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